James get Laid in Australia for the very first time
“This bed is on fire with passionate love,
The neighbours complain about the noises above,
But she only comes when she’s on top...”
These memorable lines from James’ 1993 hit Laid defined a decade becoming the soundtrack to early 90s alternative radio and then finding a second life through its use in teen hit American Pie. Now the band are heading to Australia for the very first time to celebrate the release of their fourteenth album Girl at the End of the World.
James had already had a decade of hits by the time Laid arrived, having risen from Manchester’s legendary Factory Records scene into one of the biggest UK bands in the world by the dawn of the 90s. With alternative hits in Australia including Laid, Sit Down, Sound, Getting Away With It (All Messed Up), She’s a Star and Just Like Fred Astaire, the band were triple j staples for over fifteen years, yet never ventured downunder…. Until now.
James are brushing off their passports, visiting Australia this th Nov for four special shows. After internal struggles kicked off a long hiatus in 2001, the band reconciled in 2007 and continued their prosperous career, getting back on the live trail. Their new album Girl at the End of the World became their most popular in over a decade, debuting at #2 in the UK charts.
Girl at the End of the World sees the band team with producer Max Dingel (The Killers, Muse, White Lies) with the legendary Brian Eno infusing his unique influence into the blend. The new album is both anthemic and euphoric, with its simmering electronica continuing James’ long connection to the dance floor. The band’s trademark songwriting and Tim Booth’s distinctive vocal & evocative lyrics prove once again to be amongst Britain’s finest.
“Bands talk about that difficult second album but it’s the trickster 14th one that’s the real mother fucker,” says Tim Booth of the making of the new record. "As always with James it’s a collaborative process allowing ample room for improvisation, intuition, skill and dumb luck. From the outside our process looks like chaos but chaos is our friend and we have a history that gives us confidence that something magical will eventually appear. Most of my best lyrics are unconscious typos so don¹t ask me what it’s about; your projection is as good as mine. This was perhaps the most difficult and stressful album we have ever made. I hope you find it as rewarding as we do. OYSTER- GRIT-PEARL.”
Tickets are on sale Friday 24th June.
Sat 12th Nov - Brisbane, the Tivoli
Sun 13th Nov - Sydney, the Metro
Mon 14th Nov - Melbourne, 170 Russell
Wed 16th Nov - Fremantle, Metropolis
The neighbours complain about the noises above,
But she only comes when she’s on top...”
These memorable lines from James’ 1993 hit Laid defined a decade becoming the soundtrack to early 90s alternative radio and then finding a second life through its use in teen hit American Pie. Now the band are heading to Australia for the very first time to celebrate the release of their fourteenth album Girl at the End of the World.
James had already had a decade of hits by the time Laid arrived, having risen from Manchester’s legendary Factory Records scene into one of the biggest UK bands in the world by the dawn of the 90s. With alternative hits in Australia including Laid, Sit Down, Sound, Getting Away With It (All Messed Up), She’s a Star and Just Like Fred Astaire, the band were triple j staples for over fifteen years, yet never ventured downunder…. Until now.
James are brushing off their passports, visiting Australia this th Nov for four special shows. After internal struggles kicked off a long hiatus in 2001, the band reconciled in 2007 and continued their prosperous career, getting back on the live trail. Their new album Girl at the End of the World became their most popular in over a decade, debuting at #2 in the UK charts.
Girl at the End of the World sees the band team with producer Max Dingel (The Killers, Muse, White Lies) with the legendary Brian Eno infusing his unique influence into the blend. The new album is both anthemic and euphoric, with its simmering electronica continuing James’ long connection to the dance floor. The band’s trademark songwriting and Tim Booth’s distinctive vocal & evocative lyrics prove once again to be amongst Britain’s finest.
“Bands talk about that difficult second album but it’s the trickster 14th one that’s the real mother fucker,” says Tim Booth of the making of the new record. "As always with James it’s a collaborative process allowing ample room for improvisation, intuition, skill and dumb luck. From the outside our process looks like chaos but chaos is our friend and we have a history that gives us confidence that something magical will eventually appear. Most of my best lyrics are unconscious typos so don¹t ask me what it’s about; your projection is as good as mine. This was perhaps the most difficult and stressful album we have ever made. I hope you find it as rewarding as we do. OYSTER- GRIT-PEARL.”
Tickets are on sale Friday 24th June.
Sat 12th Nov - Brisbane, the Tivoli
Sun 13th Nov - Sydney, the Metro
Mon 14th Nov - Melbourne, 170 Russell
Wed 16th Nov - Fremantle, Metropolis